Interesting point at the end of this opbmusic piece about the plight of Oregon’s music venues during a pandemic: when venues can re-open, there could be more emphasis on prime slots for local musicians.
The unsupported use case of Bix Frankonis’ disordered, surplus, mediocre midlife in St. Johns, Oregon.
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Interesting point at the end of this opbmusic piece about the plight of Oregon’s music venues during a pandemic: when venues can re-open, there could be more emphasis on prime slots for local musicians.