Interesting point at the end of this opbmusic piece about the plight of Oregon’s music venues during a pandemic: when venues can re-open, there could be more emphasis on prime slots for local musicians.
The unsupported use case of Bix Frankonis’ disordered, surplus, mediocre midlife in St. Johns, Oregon.
No fear, no hate, no thoughtless bullshit, and no nazis.
Interesting point at the end of this opbmusic piece about the plight of Oregon’s music venues during a pandemic: when venues can re-open, there could be more emphasis on prime slots for local musicians.