Maybe the most organically unsettling bit in all of Dollhouse is Laurence Dominic’s imprint in Victor’s body, because Enver Gjokaj is so exacting in his Reed Diamond that you swear this is precisely how it would look and feel were it real.
The unsupported use case of Bix Frankonis’ disordered, surplus, mediocre midlife in St. Johns, Oregon.
No fear, no hate, no thoughtless bullshit, and no nazis.
Maybe the most organically unsettling bit in all of Dollhouse is Laurence Dominic’s imprint in Victor’s body, because Enver Gjokaj is so exacting in his Reed Diamond that you swear this is precisely how it would look and feel were it real.