Three of the four most-nominated movies—The Irishman, Joker, and Once Upon a Time…in Hollywood—are stories about white men who feel culturally imperiled. The fourth, 1917, is about white men who are literally imperiled. It is no accident that those movies have arrived at this particular cultural moment, and while Academy voters don’t necessarily have to eat whatever the industry is feeding them, they usually don’t look too far afield for alternatives, and this year, what the industry was not feeding them was Black Panther or BlacKkKlansman.

From Oscar Nominations 2020: What Went Wrong—And Did Anything Go Right? by Mark Harris